Chapter 38: These Are a Few of My Favorite Things—to Cook

An Interview with Daniel Cooper

Conducted by Gary R. Hafer

Daniel Cooper is Head Grill Master of Western Europe for Weber-Stephen Products, UK Ltd. where he develops course materials for the Weber Grilling Academy, recipes, food photography and content for social and print media. One of his first major assignments for Weber in 2011-12 involved touring England and Ireland in a 32-foot Airstream to demonstrate covered cooking, logging 20,000 miles in his first seven-month period.

Today, he regularly designs live cooking shows in the UK and Republic of Ireland where live audiences can reach up to 170, teaching the Weber Way at food fairs, festivals, and retail demonstrations. Daniel is responsible for much of the food photography in Weber’s social media outlets, as well as representing Weber-UK in YouTube videos and print magazines like Men’s Health and GQ.

An inventive charcoal griller, Daniel owns and cooks on many historic kettle grills from Weber’s past.

He live with his wife Roz, also a talented outdoor chef and entrepreneur, and son Monty in Stroud, Gloucestershire.

The interview took place on September 29, 2021 at 6:30 am via Zoom.


Daniel Cooper: It's nice to talk to you, finally.

Gary R. Hafer: Thank you so much. So I’ve been following your exploits for some time: your cooking, your singing  . . . 

Cooper: Yes, that’s a lovely, lovely time working with musician Robbie Humphries.

I’ve worked for Weber for a long time, since about the 23rd of February 2011, so for about 11 years.

Hafer: Wow! Tell me something particular about your interest in food and how you pursued a culinary degree. What's your background?

Cooper: I did start life as a chef. I went to quite a good British cookery school [Wycliffe College, Stonehouse, UK], quite a highly revered one. I wasn't quite sure what I wanted to do when I left school but knew that I had certainly a passion for cooking.

I was quite lucky because my parents were quite foodie. So that gave us a lot of insight into different cuisines, different cultures. Initially, it was just cooking: things like dinner parties for friends and that kind of thing.

After I'd done the cooking courses, I was interested in having a go at it commercially, so I actually ran a pub for a while with a very good school friend, Bruno Darbo, who's an interesting chap. [Both laugh.] I don’t want to divert too much!  . . . Basically, he is an old school friend—we had a lot of friends, a lot of fun together when we ran a pub.

We also ran a really nice cafe restaurant, and we ran a catering business for five years together: Cooper-Darbo. And this is where my love for outdoor cooking came into play because, as you know, outside catering is often outside [laughs], and you don't always want to be cooking on gas ovens. It was grills. We started this business in 2005. . . .  It was then I started to really enjoy catering for weddings, dinner parties, but using the medium of live fire.

That was my first experience with live fire cooking professionally, but I always knew I was quite good at organizing sausages on a grill and making sure things didn't burn. [Both laugh.] I was the kind of chef that would do it at home, and I had this weird natural intuition: to be able to understand what the fire was doing to the protein. Do you know what I mean?

Hafer: Yes!

Cooper:: I felt like I already had a little bit of control in me. Even though I hadn't been taught it, there was some intuition already there. It was something that I recognized, like building fires.

I like camping, but I didn't have a grill or a barbecue, and we didn't really have one when I was a kid either. But we used to cook, as I remember, on this kind of weird old cast iron grate, an antique that had been thrown out. We used to cook with seasoned twigs and stuff to make some embers, and so that was a very rudimentary type of cooking that we did at home.

Hafer: So no covered cooking?

Cooper: No, no covered grill at all. In fact, that was a complete revelation, really right up until I started actually working for Weber.

And that was when I had that kind of light bulb moment.

You need, if you're cooking on seasoned logs, such a high residual heat and a huge amount of fuel to cook through your proteins properly. It's just very inefficient and a very smoky way of doing it.

I can remember doing a lot of big catering events where I was staggering around with sort of carbon monoxide poisoning and that kind of thing. [Laughs]

Hafer: Plus big cuts of meat that you try to cook uncovered are difficult. In the States and in the 1950s, we called that an “open brazier.”

Cooper: Yeah, there was no covered cooking, as you know. Yeah, it was just an open barbecue, which is what we called it in the UK.

I mean, we've historically been a bit behind the times in the UK, Gary.

Hafer: Really? It’s hard to believe.

Cooper: We’re [UK] quickly catching up. You wouldn't believe how advanced barbecuing culture is now in the UK. It's still not on a parallel with America, but we're all first-generation grillers, you see.

Actually I was a little bit different because my grandparents used to live in France, and they would grill whole lamb legs and stuff on fires. They did actual barbecue, as a matter of fact, but most people you'd speak to or to their parents or grandparents would have looked at you like you're mad if you said you were going to cook something on a barbecue. They'd be like, “Why? Why on earth would you want to do that?”

That's what we were dealing with when I started with Weber. When I told people I was working for a barbecue company, a lot of people looked at me with real pity, like I'd taken a big plummet. [Hafer laughs.] I'm not joking! You laugh at that, but I can remember a few occasions when their response would be very “Oh, I'm really sorry. That must have been tough for you.”

Hafer: So it was quite, quite disparaging, simply because of their own limited knowledge about barbecuing?

Cooper: A little bit of that. I think there's always a little bit of a snobby perception that we’re “burger flipper” people, a kind of lowly job. If you had a catering business, then you were perceived to have done quite well in the sorts of chef severe. Maybe that’s the way it was looked upon.

But I hated being a chef; it was horrendous. It was the worst thing. I always hated it. I hated every single day of it. [Laughs]

Hafer: Really? Tell me why.

Cooper: Well, you're stuck in a pretty hostile stainless steel room with no windows. It’s hot. Often you're working with people you don't particularly like. You don't get any gratitude for what you're doing. There's no aesthetics or ergonomics in any of the environment you're in. Everything's very hard and quite dirty. . . . 

Hafer: The hours are long. . . . 

Cooper: The hours are long. You're working when everyone else is at the pub and having fun.

All the creativity and joy of cooking is just sucked out in a commercial kitchen, as far as I'm concerned.

Hafer: Let me take you from that experience now and ask how you developed your professional relationship with Weber.

Cooper: Well, it was a really interesting one because, after I left working in commercial kitchens, I went to run a catering business, which I loved, and because outside catering took me out of that environment a bit. If you're running your own business, you're a little bit more in charge, although the hours are still shitty.

It’s actually quite an interesting story of how I came to work for Weber because I was working as a demonstration chef a little bit for a few different people and companies, but also as a freelance chef. I was really sticking rigidly to my plan of keeping out of commercial kitchens, and a great friend of mine—actually a guy I was renting a room off—had developed this pizza oven, called the Chadwick Oven. It is a very, very cool pizza oven which you use indoors on a gas hub, and you can make brilliant, Italian-style pizza as it gets up to 500 degrees C [932º F]. So Daniel was developing this Chadwick Oven in collaboration with Alex James, the bassist for a famous pop group called Blur [formed in 1988], which you may have heard of.

Anyway, so Alex had the Weber connection, and he was convinced that this could be converted into a Weber accessory for a charcoal grill. So I was asked to go to Chicago—to Palatine [Illinois]—to see the R&D [Research and Development] guys and show them how this grill worked. Weber made a prototype, and it worked on a charcoal grill, and it worked on a gas grill. They ended up actually licensing it for Northern Europe as an accessory. They don't sell it anymore, but it was the pizza oven top. It went on the top of a kettle.

You have one, right?

Hafer: Yes. I received one from the Weber sales agency Babcock and Associates.

Cooper: That's how I came to work for Weber. So Weber didn't love the product; actually, it was quite painful. It's a really good product if it's used properly. You need to get the kettle really hot and the communication wasn't brilliant on how to use it properly. It was quite expensive.

Hafer: The instructions were poor.

Cooper: Yes, the instructions were poor.

But anyway, I got contacted by Weber-UK because they were starting this new demonstration project where they bought a 1952 32-meter, American Airstream Land Yacht, and they wanted someone to tow it around and do demonstrations from it. And you know I was keen to get out of commercial kitchens, as we discussed, and it seemed like quite a fun idea. They were offering a fairly decent salary for this compared to what I'd been getting, so I jumped on board with it, and I did it for two years.

It was really hardcore because I just was away all the time: sometimes a month at a time, sometimes three months at a time. I was with Roz at the time—my now wife, so we've been together for a long time—and she enjoyed a lot of time without me. She probably was happy about that [laughs]; I don't know. [Both laugh.]

So then my role changed and kind of mutated a bit from there into lots of differences within the company, but that's how it started: as always, as a demonstration chef, and it started with this amazing Airstream. I can send you some pictures. I've got some brilliant images of it and me standing next to it. I look a lot younger  . . . 

Hafer: But didn’t we all? [Both laugh.]

So can you tell me how you came to acquire a few vintage Weber kettles? You have quite a collection.

Cooper: We just scan eBay! I mean, it's a really sad thing [both laugh], but we just look there for something pre-1995; then I'm potentially interested. I like the wooden-handled models and Roz does as well.

We’re just into two main colors, the green and the brown, which are the colors that, if you have a kind of a slightly wild garden like ours, really blend in beautifully: that kind of terra cotta parts and trellis and the plants. It's just the look that we have in the outside of our garden, so we hunt out the more vintage ones. But I love the new ones as well. I have quite a few at home.

Hafer: Do you know about the big announcement that Weber will release an updated version of at least four of their vintage kettles to celebrate their 70th anniversary?

Cooper: Oh yeah. Well, we're only getting one here [in the UK], I think. But I know I’m gonna get my hands on what I need [laughs].

I'm really excited about that because actually I felt for a long time that there's something really rare about having a company with such a great lineage in history. And also if you look at about what a lot of companies do is to sort of reflect back on some of their lovely old designs. There's something very pleasing about vintage designs and the early Weber kettles are very aesthetic.

Hafer: Yes, they are. I think I have 20 modern kettles right now, even a Ranch Kettle.

Cooper: Wow, nice, really, but can you get hold of some wooden handles?  . . . 

Hafer: Only through third parties. I’ll send you my source. [Both laugh.]

So your wife Roz is also a talented outdoor chef and has a beautiful web store [https://www.thegardencook.co.uk]. Did she develop her interest in grilling independent of you?

Cooper: Yeah, kind of. She worked for a very lovely design and furniture company before. So she's always been interested in design. We love outdoor cooking, and her angle really is trying to champion local craftsmanship. This is slightly separate from what I do with Weber, so she's identified herself. There is sometimes a dip in quality on some accessories with certain [other] barbecue companies. . . . Not Weber, but there's a lot of cheap crap out there . . . . 

Hafer: Yes, with big names attached to the products.

Cooper: Yeah, so if people buy a wonderful grill, they might want to gift some really lovely handmade accessories that can last a lifetime or a generation, much like some of the original kettles. Not all other accessories stand the same test of time. So that's what she's doing; a lot of it is ceramics and wood products. It’s beautiful stuff. It’s really nice. I’ve been so busy that I haven't really been able to help her much. I sometimes give her some guidance, but it’s something she's very passionate about.

We always cook on the vintage Weber kettles; that's our grill of choice.

Hafer: Now you have a child, is he interested in grilling? 

Cooper: Oh yeah. I had a video of my son Monty, and he got like 23,000 views on Reels of Instagram cooking a pork chop.

Hafer: I missed that.

Cooper: He takes his Baby Q and puts it on the ground. We just give him some vegetables chopped up and maybe a little pork chop, and he gets on with it.

Hafer: Lovely  . . . 

Cooper:  . . . and unsupervised. [Both laugh.]

Hafer: Let’s go back for a moment to your work with Weber: in person and your virtual lessons pretty early in the pandemic. What's been one of the most surprising or the most gratifying aspects of your experience in grilling for others?

Cooper: Well, I think it’s actually just being there and seeing people’s reaction when they can taste the food: to understand that they can actually, suddenly, do it themselves by learning about indirect or direct heat cooking.

It's just a connection with people that barbecuing brings; it's not so much anything else. And that's why it's so polar opposite to commercial kitchens because with barbecues you have a better connection with the food, a better connection with the fire. Everything is a little bit more raw and enjoyable. I like the human element of it, interacting and seeing people's pleasure when they taste, which gives you a buzz. You know they’re in enjoyment.

I think as a chef that is just hardwired in, right?

Hafer: Yes. In fact, I was going to mention on one of your live sessions on Instagram where you grilled some appetizers in between playing in The Many Coated [two-person band]. Could you describe in one way how your musician and chef lives intertwine?

Cooper: I always loved playing the guitar. I used to play in the local pub when we've had a few beers and that kind of thing, but nothing serious until I met my friend Robbie who's a professional musician. So I’ve slightly kind of piggybacked on his talents there, but I've written a lot of our songs because I had previously written a lot of songs in which just nothing had happened. So this had been a great outlet to actually put them out there.

I always thought that music and cooking were a great combo; in fact, when we had our catering business called Cooper-Darbo, which I talked to you about before, we used to play the guitar after we cooked dinner for people. That was our original business plan. [Laughs] I was playing with my other friend then.

I think music and food are always linked; they're playing to the senses. Giving that taste and hearing and smell—it's giving that whole 360 degree [experience].

Hafer: It's part of the arts. 

Cooper: I think so. . . . Sometimes you pair a certain type of music to barbecue, but I don't think that has to be the case. I think when you've got a barbecue in your garden, and the sun’s shining, and there's some lovely music playing,  . . .  

Hafer: Jazz of course! [Laughs]

Cooper: Yeah. Exactly. [Laughs]  . . . and you're smelling the food cooking, everyone will have their own idea of what that music has to be and that's great. But you would probably agree that you know when all those things come together, it’s a bit of sorts of aphrodisiac for something—maybe that's the wrong word. [Laughs] It's stimulating certain chemicals within us that are producing the happy feeling.

Hafer: I think you're exactly right. I mean, cooking affects all the arts and senses. Look at the beautiful designs of menus: the styles, the typefaces, the paper they're printed on. There's a literature to cooking and barbecuing.

Cooper: Yeah, one hundred percent, and I think it's always been paired if you think back to medieval banquets with lutes, and people dancing around right to it. That was just a barbecue—wasn't it?—but just in a big castle. [Both laugh.] It’s the same.

We always try and do events where we have music, and we have had some luck to have some good festivals in the UK. We sometimes attend where there's bands playing, so I was quite keen to try out that cooking and music combo. It’s something I'd like to definitely do more of. I’ve talked to my musician friend Robbie, and he's very, very keen on working out how we can bring those two together without it becoming another kind of catering job. [Both laugh.]

Hafer: That’s a terrific idea!

Is there anything today that you thought I would have asked, or that you're always wondering if the interviewer will ask you.

Cooper: I'm really pleased that you haven't asked me what my favorite thing to cook on the barbecue is. [Both laugh.] I find that question really annoying because I don't really have a favorite thing I like cooking. I think my favorite thing is cooking lots of different things.

It depends on the season as well. That's what's nice about seasonal cooking: you really only kind of get excited about something when you haven't had it for a while, and then autumn comes around and suddenly we're roasting lovely squash and cooking venison or game meat. We like cooking seasonally and trying to support our local community by shopping from our farmer’s market, which is certainly not the cheapest way to shop at all.

I get frustrated now with the continuing “need”-and-want trend for people to buy cheap food because I think you can live cheaply on really good quality food, but you just have to change the way you cook and eat a little bit. We don't go and buy a lot of value meat. We try to support the local farmers, and so we buy all our chickens from some guys down in Monmouthshire. We’re on the Welsh border here where we live. Monmouthshire is just over in Wales. If you try them, you'd agree; they taste really good.

It just makes a big difference if you get the ones in the supermarket in cellophane, and they were all reared in a factory very quickly. You don't get the same level of flavor.


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